Although its simple, direct title implies a more expansive take on the man who founded one of the world's most famous and successful car companies, Michael Mann's Ferrari covers only a short time in the life of Italian automotive mogul Enzo Ferrari (Adam Driver). Rather than attempt to take on Enzo's entire life, Mann and screenwriter Troy Kennedy Martin cover only a short period in 1957 when Enzo was dealing with especially difficult personal and professional circumstances. That's a smart move since it gives Ferrari a sharper focus, with one central climactic event and a handful of important character relationships. The narrative still feels a bit shapeless at times, but Mann delivers a mostly engaging meditation on masculine power and insecurity.